In your DAW, make two tracks-one for the DI and one for the mic-and then check to make sure that they're in phase (look for the phase switch in your DAW if you need to make adjustments). Next, plug an instrument cable from the DI's "thru" input into your bass amp and mic up your bass amp so that channel two of your audio interface is getting the mic'd sound. Then, connect the XLR out to the first channel of your audio interface. This method involves running your line signal from the bass to the input in your DI. Here at Reverb, this is our method of choice for recording bass guitar, and it's the method you'll hear in most of our videos. You can go the plugin route to beef up your tone, as mentioned in the first method above, or you can use your DI and split the signal so that you're getting the direct sound from the DI and the mic sound from your amp. If your bass signal from your DI is leaving something to be desired, you have a couple of options. First, Jake plugs his bass directly into the DI, taking the XLR signal out of the DI and running it into his audio interface.
![amplitube fender studio with interface software guitar and bass tones amplitube fender studio with interface software guitar and bass tones](https://sc1.musik-produktiv.com/pic-010078151xl/ik-multimedia-irig-2.jpg)
Recording with the DI can be done in a couple of different ways. Fender Collection is the first and only official guitar/bass Amp and FX collection for AmpliTube made by. Due to the proximity effect, you're just going to get a lot of the bass frequency and you're not going to get any of the mid or high frequencies-you're going to lose a lot of clarity you might otherwise have."įor the video above, Jake demonstrates using the Radial JDI-a passive DI box with a flat frequency response from 10Hz to 40kHz, perfect for screening out electric humming for a pure, accurate recorded tone. Welcome to the place where great tone finds you. "But one thing you might want to avoid is putting it directly up against the speaker, hugging the speaker. This veritable tone studio for guitar and bass functions as a standalone application and also as a plug-in for your DAW. AmpliTube Fender Collection 2 is an officially certified collection of Fender gear that works inside of AmpliTube 4. If you move it a little bit off-axis, you're going to get a different sound-basically anywhere you put it is going to change the sound that it picks up," Jake advises. AmpliTube is the modern player’s ultimate tone studio.
#Amplitube fender studio with interface software guitar and bass tones free#
"Feel free to experiment a little bit with the placement of the mic in regards to the speaker. Jake is mic'ing the Ampeg with a popular go-to bass mic, the Shure Beta 52A, placed directly in the center of the cone about five inches back.
![amplitube fender studio with interface software guitar and bass tones amplitube fender studio with interface software guitar and bass tones](https://cdn.windowsreport.com/wp-content/uploads/2017/12/guitar-amp-software.jpg)
This amp has been used on countless recordings through all genres of music-in fact, it's the most-recorded bass amp in history-and is noteworthy for producing a full, warm tone with a vintage feel. 20 years of research and development has gone into making Amplitube the standard when it comes to amp modelling and software based guitar tone. As Jake suggests, it's hard to beat recording with an Ampeg B-15, if you're able to get your hands on one.